Survival of the Dead is not the finest zombie movie ever made, but George Romero’s latest ". . . of the Dead” movie is still brimming with the genius and complexity that make Romero’s zombie films stand head and shoulder above nearly every other zombie movie ever made. The problem with many zombie movies today is that they suck. And they suck precisely because they don’t understand what a real zombie movie is about—where the true horror comes from.
I’ve been a zombie movie fan for a long time now, and I dare say I’ve seen way more zombie movies than your average moviegoer and probably more than your average horror fan. And I love zombie movies precisely because they are extremely different than the vast majority of horror films in existence.
In general, most horror movies are based on the same plot principle—a monster/serial killer/ghost/supernatural (or biological) force is trying to kill people and our protagonists try to flee/escape/fight said baddie. From that point, much of the fun of watching a horror movie is the tenon that is built up as we are constantly kept in suspense as to who is going to die and how. We enjoy horror movie because they attack the stress centers of our brain and the killing of protagonists or the vanquishing of the killer gives us a release that tickles the pleasure centers.
But most horror movies play the tenon and release between the baddie and the protagonists, creating an “us vs. them” dichotomy. And it’s easy to identify with that dichotomy. We’re (presumably) normal human beings, so place ourselves in the vicarious potion of the protagonists of the film—whom we generally identify with more than the crazed serial killer or toxic beast. It’s comfortable to want to vanquish an evil and deadly force.
But Romero’s films put us in the uncomfortable potion of fighting not with an evil force, but ourselves. That is, nce Night of the Living Dead, Romero has used the zombie plot device mply as a backdrop to the real horror of humanity itself.
Romero’s zombie films aren’t about zombies, they are about humans and the way we are the true monsters when pushed to our limits. Essentially, every “…of the Dead” movie comes down to a struggle between humans trying to survive each other, not about humans trying to survive zombies. In this way, many zombie movies mply can’t match Romero in theme or execution, because they don’t understand that the true essence of a zombie film is not in its gore, but in its ability to hold a mirror to ourselves and see the hidden depths of our own darkness and moral weaknesses.
There are other films that have clued into Romero’s thematic esthetic, like 28 Days Later and (to a lesser extent) Zombieland. But far too many focus on the gore and “horror” of an unrelenting zombie horde instead of the true horror of looking in the mirror and seeing ourselves reflected back.
Am I full of crap? Is Romero the standard? What makes a good Zombie movie in your opinion?
James Ged is a movie buff and zombie movie enthuast. I usually write about Comcast cable all day, but in my free time I watch movies and share cool stuff on my Tumblr: Movie Buzzer.