The only think that was disturbing to me in this movie was showing a pussy from that little girl. I felt like a god damn pedophile. But the movie was great.
/ / Completely agreed . . . that kind of freak'd me out.
However, I watched this film last night.
I've been looking forward to it for it seems like at least a year.
I have to say, I wasn't the least bit disappointed and it actually exceeded my expectation (which were extremely high).
Absolutely in my top 3 best Vampire films of all time and definitely in my top horror films.
This movie was incredible, so much so I'm going to watch it again tonight just to soak it all in.
I can't say enough, acting, setting, plot . . . all top notch . . . and it was ORIGINAL!!!!!!!!!!!
It's got blood and scares but they serve the purpose of the story so if you only like slaughter house flicks this might not be for you.
As far as I'm concerned this should have been nominated for the best foreign film at the Oscars this past year (being completely serious).
We honestly need more horror films like this, full of story and art.
SPOILERS BEYOND THIS POINT
Please do yourself a favor and DON'T read beyond this until you see the film.
Set in 1982 Sweden, a vampire named Eli moves in next door to Oskar (a bullied 12 year old).
Oskar begins to fall in love with the bizzar Eli and even though he slowly begins to realize who or what she is . . . he's too far in to turn back.
That climactic scene at the pool . . . boy was that done well.
This movie does have blood and violence but you hardly see the actually attacks and you hardly see the money shot of gore . . .which actually make it THAT much better.
It leaves it up to your imagination.
The cinematography is really good and the use muc and absence of muc in key scenes compliments the film that much more.
We watch this film through Oskar's eyes and you kind of perceive the adults in this film through a child's eyes . . . very unique script.
The only thing I honestly didn't like (bede that shot mentioned in the post above) was the cgi cats . . . there were a few shots I didn't think looked real and kind of took me out of the story for a sec but these can be EALY over looked.
It was more of a split second annoyance than anything else.
I didn't hurt the film in my eyes.
I have to say that what completely went over my head was Eli's relationship with the older man during the first part of the film.
At first I couldn't figure out why he was helping Eli and murdering for her, perhaps he was her father?
It wasn't until that last resolution scene where Oskar is tapping moris code to Eli on the train that I realized that Oskar would one day become that man.
"LET THE RIGHT ONE IN" has a really complicated yet dynamic ending.
On the one hand you see Eli as a protagonist and you some how relate to her (even though she's killing people . . .killing so she could live) but then again she is a killer and a vampire so in a sense she's the evil.
I think we forget how bad she might be because she's in the form of a 12 year old girl and I think us (the audience) falls in love with her as Oskar does (nce we are following him along this journey).
We only see what Oskar sees.
So we now realize that Oskar has ran away from home to live his life serving Eli helping to keep her alive.
Well, we know what happened to the older man helping her in the beginning and you wonder if he met Eli when he was just a boy also . . . . and nce we know what Eli did to him . . .. makes me think she could have just seduced Oskar and she'll discard him when he has no further use.
The film doesn't just come out and say this, it's all kind of buried under the surface of the child like innocence we are presented.
Truly a sad love story to say the least.
This film was a multilayered story
. . . .
I've said it before and I'll say it again, "All the special effects, money or acting can't alone make a great film.
Only a GREAT script and story can make a great film.
All the other stuff should just compliment the story.
If you don't have a great script, all that other stuff can't save the film."
Seems foreign horror might be the way to go . . . at least they have originality (I love the french film "HIGH TENON" also.)